From the monthly archives:

March 2010

Everyone wants a quick fix and sometimes applying a preset can do just that. Often times though, the preset is just a starting point to getting a certain look. We thought we would share a simple technique to using presets to their fullest potential. While it involves using both Lightroom and Photoshop, it really is not that long or complicated of a process once you get started.

Since Rachel is the one who uses presets the most and she happened to have a bunch of personal photos she was editing for her blog, we thought we would share a quick run through of the process on this photo of… her feet!
Oh come on, we ALL have taken photos of our feet before.

Backstory:  This is an image from the day she used her D200 with her Tamron 17-50mm f/2.8 lens as a point and shoot.  Because this was just a fun day out with friends, the images were shot in jpeg only.  You don’t need to shoot RAW to use Lightroom.  She wanted the images to have a sort of “lomo” look to them.

Here is one quick way to make a normal image

more funky in less than the time it takes to make another coffee and without having to use actions.

1) Process an image in Lightroom to get correct exposure and color. We prefer to use Lightroom over Adobe Camera Raw for working with presets as it is so easy to visualize the changes that will be made to your shot with the preview window. No guessing if a certain preset will work on that particular image or trying to remember what look a preset will give your image just from the name in a list.

2) Export that file as a jpeg. (example: base-image.jpg)

3) Open that image in Lightroom and apply a preset (this one is “on holiday” from Rachel’s Round Two set.)

4) Export that file as a new jpeg. (example: preset1-image.jpg)

5) Open the base file again in Lightroom and apply a different preset (this one is “the 70′s” from Rachel’s First Stop set.)

6) Export that file as a new jpeg. (example: preset2-image.jpg)

You can do this as many times as you would like to get the most options as you are just creating “layers” for your Photoshop file that you will create next.

7) Open all copies of the file in Photoshop.

8 ) Using “base-image.jpg” as your background layer, copy and paste the preset images onto that file.

9) Now here is where the playing part happens…reduce the opacity of the preset layers, change the blending modes, mask out parts of the image…it is up to you.

With these preset layers in Photoshop, you have the most control over the total look of your image.

In this case, the “preset2-image.jpg” layer was set to soft light for contrast but the jeans were painted back as they got too dark.  The “preset1-image.jpg” layer was left as a normal top layer at 47% but the mask was inverted so that the effect was painted on to the image with a white brush on the black mask.  Rachel did it that way so that she could control the look of photo as she worked letting the legs and feet and surrounding pavement come through from the lower layers.

Just another way to edit and use all those presets that you have just sitting there.

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CONTEST IS NOW CLOSED.

We will be selecting the winner via Random.org in the next day.  Due to the close of the contest falling on Easter here in Australia, please allow for a few extra hours before we post the winner!  We know everyone is excited, but there are some Easter baskets to be filled!

Maile Wilson has donated a red Lola epiphanie camera bag for our latest contest here on Beyond Snapshots!  It is a gorgeous bag and we are excited to have this chance to share with our readers!

This is another photo contest and in honor of the red Lola bag that is up for grabs, we want to see your red themed photos.

Here is what you need to do.  Take a photo (or pull one from your archives) that represents red.  Get creative, the photo does not have to be all red, nothing but red…we are looking for something that means red.  Once you have your photo, you need to post it on your own corner of the internet…your blog is best, but it could be facebook, flickr, just somewhere where we can see it. Make sure you tell everyone about the contest on your post and spread the word about epiphanie bags and beyond snapshots!

Once you have posted your red photo, come back here and click the link that says “you are next” to enter your details. You will need to provide the url of your photo post where it says “blog url” so that we can see it!

You have until April 2nd to enter. The winner will be announced on April 3rd. We’re looking forward to seeing what you have for us!

Want extra chances to win? If you follow us on twitter, join our facebook fan page or retweet our contest tweet, you can come back and leave another entry!

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and we are talking about a GORGEOUS epiphanie camera bag! Ours arrived just a few weeks ago and they are even better than we had imagined.  Maile Wilson, the photographer/designer behind these awesome new camera bags generously sent us our choice of her range to review…  Rachel went for the Lola, a bright red funky shoulder bag.  Peta opted for the brown tote, Ginger.  The best part of this, Maile sent an additional one (a Lola just like Rachel’s new bag) for us to give away to one lucky reader!  They both look nothing like any camera bag we have seen! (In a really good way)

First, lets talk camera bags!

Maile has set the style bar high from the very moment you open the box.  The bags arrive in their own branded protective case (wrapped in plastic for the ride) in a color that matches the interior of the bag.  It was a little worrying at this point that the bags might be just nice looking and not strong camera bags, but one zip later when the actual bags were revealed, there was no doubt of their strength and beauty.

The red bag is quite tall.  It fits Rachel’s D3 with a lens (currently the 50mm f/1.4G, but has also been successfully tried with bigger lenses and there were no issues) and an additional lens, wallet, small makeup bag and iPod.  All safe and easy to find in the soft lavender interior.  There is also a zipped pocket that is the perfect size for some extra CF cards and the White Balance cap.  Rachel tucks her keys in one exterior pocket and her BlackBerry in the other.

Peta has less stuff to cart around than Rachel, so the Ginger bag is MORE than enough bag for her Canon 5D with the 24-70mm f/2.8L lens attached, wallet, makeup bag, iPod and more.  This bag has more spots to store things than most carry-on bags, yet it looks almost smaller than Rachel’s red one.  This is a bag for someone who loves to divide and organize with 4 exterior zipped pockets and one on the inside.  It is a lovely chocolatey brown with a bright robin’s egg blue interior.

Both bags come with long, padded, detachable shoulder straps in case you want to wear it slung over the body.  They are made of a rich feeling and looking faux leather and are so well constructed.  Both come with removable velcro dividers so that the interior can be set up to fit the gear you carry.  No detail has been left out with the choice of hardware and even the silver camera bag tag.  I think the thing that struck both Rachel and Peta is the fact that even though the bags are packed with the camera, extra lens and personal stuff…they somehow feel lighter than carrying the camera alone.  Not sure if it is the slight elasticity that the handles seem to have  that allows for this, but it is great and was the surprise bonus of this bag.  Great looking and super comfortable to carry.  These are impressive camera bags and it shows that these are the product of a long and careful design process.  We asked Maile a few questions just to give our readers a bit of back story.

Give us your story in an elevator pitch…the quick and dirty…was there an “a-ha” moment or did this come about in a more fluid way? When did the idea came about and then how long it took for you to get the bags designed and produced? Any major things you learned in the process that made these even better than you imagined they could be?
The idea for a camera-handbag came about when I realized I had so few decent pictures of my own life. As a professional photographer, that felt like a sacrilege. And I knew it was for the simple (albeit lazy) reason that I hated carrying a camera bag. Even though I’m pretty hard on my equipment, it always felt like a gamble to be wrapping up such expensive gear in a hand towel, and then shoving it into my purse.

When I realized there were no camera bags on the market that could truly pass as a hot handbag, I set out to create one. It took a little over two years, and if I’m honest, the process was grueling. I could go on forever with stories about the many times it all seemed impossible. But I really believed in what I was doing. I knew I was creating a product that women photographers needed. So when I got to the road blocks (after a few tantrums), I just moved as much as I could in that moment. Because even an inch gets you that much closer to your goal. And after a while, the inches add up.

How did you name the bags?
I named them because the whole idea of creating stylish camera handbags seemed like an “aha” moment (an epiphany). I had never seen it done before, but the idea in itself is relatively simple. I used the French spelling, mainly because I just thought it looked better in the logo, and wasn’t so literal.

I also really like the concept of “epiphanie” because it plays out in so many ways. It’s my goal to build this business on more than camera bags. But to also have it be a catalyst for people to find inspiration, as well as their own “epiphanies”.

How did you decide on the colors?
I’ve gotten this question a lot. Basically, I love color and I just selected what I would personally use. I don’t think there’s a color in the spectrum which can’t be paired with either turquoise or red. Then again, that’s me. :)

And we’ve been pretty overwhelmed with requests for a little black Lola. So, of course we’re listening, and she will make her debut sometime around the end of summer.

Will the new styles replace the old ones or will they be in addition to these 3?
The original styles will stay around/expanded on with different colors as long as they’re selling consistently.

Where is the farthest these bags have traveled? That you know of.
Hmm.. Singapore? Australia :) ? I’m not sure. But it’s definitely been a dream come true to watch them fly out the door, and all over the world.

When will the new styles be coming out, and how many new styles are there?
We are hoping for the end of summer/ beginning of fall. I’m not sure about details right now because we’re still going back and forth with the sample process and a lot can change. But we’re always eager to hear ideas and (constructive) feedback. We read every single suggestion that is sent in, and we’re working really hard to make more products that are as functional as they are fashionable.

What do you want people to know about these bags and yourself?
That’s hard. I guess I’d want people to know that they are labor of love, and a testament that one foot in front of the other can eventually make magical things happen. I’d also want our customers to know that we’re truly grateful for them.

Next post on Beyond Snapshots… Instructions on how to win your own Red Lola Epiphanie Camera Bag here!

You can find Epiphanie bags at their website, blog, facebook and twitter

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We are working with Melissa to take this show on the road. Since this workshop is for you, first question… Where you would like to join us?

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A few selects from another joint session, this time an editorial shoot for LMNOP. Featuring the owners of Life in Style, the gorgeous Cau-Cecile family.

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Spotted. is our ongoing section where we feature different photographs from Beyond Snapshots readers and tell you why we love the images.  While criticism has a valid place in teaching, we want to show you what works rather than what doesn’t.  Two images caught our eye recently in the Beyond Snapshots flickr group.  We would like to share them and some thoughts with you below:

While similar in that both of these shots use window for back light and a faceless subject for dramatic portraits, they set quite different moods with their small differences.
The situations behind the making of these images were as different as their resulting moods.

First is this shot by Sheila Lachney

The choice of black and white really makes this photograph timeless.
The light as a gradient from bright to dark draws the eye down to the subject.
The boy is so small (well placed in the bottom 3rd of the photograph) and his body language suggests some interest in what is out the window.
The choice to leave the handle of the door in the frame is a nice touch and leaves me wondering why the boy is not going out and merely watching from inside.  It also adds scale.
Small details like the corners pointing back into the frame keep the focus on the boy.
Repeating lines with the fence, shadows, drapes and door frame are well isolated in black and white and make the organic shape of the boy stand out.

Simple, gorgeous and haunting.

Canon Rebel XT with a 28 mm lens.

ISO 400
f/2.8
1/160 sec.

I had sent my son, Elliot,  to time out and he fussed for a
short time then was all the sudden very quiet.  I came in
from the kitchen and saw him behind the curtain, playing
with something on the floor.  I tip toed to my camera and
snapped this one real quick.  He never knew I even took it. (:

Now this shot by Charlie Jones

The spots of color in the softly shaped paper hearts is a bright juxtaposition to the cold and stark branches out the window.
The choice of cool tones in processing reflects the cold winter weather yet with a warm glow by her feet to keep the image itself from feeling cold.
The very straight line leads the eye down through the hearts to the feet.
TTV texture over top adds some visual interest and goes well with the surreal nature of the shot.
The little details of the propped up feet, curled toes and chipped nail polish tells the viewer a lot about the subject without ever seeing a face.

Bright, quiet and wintery.

Canon Digital Rebel XTi with
the 18-55mm kit lens.  Really really basic equipment.  I
overexposed some because I wanted to see her feet rather
than just a silhouette of them.
It was snowing these big huge feather snow flakes (in
February, hence the Valentine’s paper hearts) and Chloe
layed down on a pillow in front of the window to watch.  I
was going to take some shots of the snow but ended up beside
her on the floor.  She puts her feet on everything so of
course she stuck them up on the window.
I wanted it to really look like winter so the tones are
cool.  I think the use of the ttv layer makes it feel small
and intimate…just like the moment felt.

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We are going to start showcasing some of our joint sessions on this blog. First up is this sweet newborn, what a strong little guy he was at only 3 weeks!

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Back in October we were a bit overwhelmed and asked the internet if it knew of anyone who would be interested in assisting us.  Linda was the first to respond.

We got back to work convinced we could do it all ourselves and did not really want to burden someone with our crazy.

Lind emailed to check on us.

We assured her that we were JUST fine and would be in touch.

February came around and we had a book deal, a full online class, plans for our first in person workshops, a blog to maintain, shoots together, magazine articles and there was suddenly not enough coffee in the world to make it doable on our own.

Certain that Linda must have found someone else, we twittered again…we meant it this time.

We had so many wonderful people contact us, but one name popped up again right away.

Linda!  We warned her that we were on the perfectionist side of controlling.  We warned her that the twins were part of the daily deal.  We warned her.

She showed up with cake (cake!) and purpose and got us in line.  We now have a sorted inbox, the class is coming together even better than before, Kieran is in love with her and this is just the beginning.

Welcome to the Beyond Snapshots team, Linda.

Check out her fantastic food blog.  I am now warning you, you will gain weight just by looking at her delicious photos of the things she makes.

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