and we are talking about a GORGEOUS epiphanie camera bag! Ours arrived just a few weeks ago and they are even better than we had imagined.  Maile Wilson, the photographer/designer behind these awesome new camera bags generously sent us our choice of her range to review…  Rachel went for the Lola, a bright red funky shoulder bag.  Peta opted for the brown tote, Ginger.  The best part of this, Maile sent an additional one (a Lola just like Rachel’s new bag) for us to give away to one lucky reader!  They both look nothing like any camera bag we have seen! (In a really good way)

First, lets talk camera bags!

Maile has set the style bar high from the very moment you open the box.  The bags arrive in their own branded protective case (wrapped in plastic for the ride) in a color that matches the interior of the bag.  It was a little worrying at this point that the bags might be just nice looking and not strong camera bags, but one zip later when the actual bags were revealed, there was no doubt of their strength and beauty.

The red bag is quite tall.  It fits Rachel’s D3 with a lens (currently the 50mm f/1.4G, but has also been successfully tried with bigger lenses and there were no issues) and an additional lens, wallet, small makeup bag and iPod.  All safe and easy to find in the soft lavender interior.  There is also a zipped pocket that is the perfect size for some extra CF cards and the White Balance cap.  Rachel tucks her keys in one exterior pocket and her BlackBerry in the other.

Peta has less stuff to cart around than Rachel, so the Ginger bag is MORE than enough bag for her Canon 5D with the 24-70mm f/2.8L lens attached, wallet, makeup bag, iPod and more.  This bag has more spots to store things than most carry-on bags, yet it looks almost smaller than Rachel’s red one.  This is a bag for someone who loves to divide and organize with 4 exterior zipped pockets and one on the inside.  It is a lovely chocolatey brown with a bright robin’s egg blue interior.

Both bags come with long, padded, detachable shoulder straps in case you want to wear it slung over the body.  They are made of a rich feeling and looking faux leather and are so well constructed.  Both come with removable velcro dividers so that the interior can be set up to fit the gear you carry.  No detail has been left out with the choice of hardware and even the silver camera bag tag.  I think the thing that struck both Rachel and Peta is the fact that even though the bags are packed with the camera, extra lens and personal stuff…they somehow feel lighter than carrying the camera alone.  Not sure if it is the slight elasticity that the handles seem to have  that allows for this, but it is great and was the surprise bonus of this bag.  Great looking and super comfortable to carry.  These are impressive camera bags and it shows that these are the product of a long and careful design process.  We asked Maile a few questions just to give our readers a bit of back story.

Give us your story in an elevator pitch…the quick and dirty…was there an “a-ha” moment or did this come about in a more fluid way? When did the idea came about and then how long it took for you to get the bags designed and produced? Any major things you learned in the process that made these even better than you imagined they could be?
The idea for a camera-handbag came about when I realized I had so few decent pictures of my own life. As a professional photographer, that felt like a sacrilege. And I knew it was for the simple (albeit lazy) reason that I hated carrying a camera bag. Even though I’m pretty hard on my equipment, it always felt like a gamble to be wrapping up such expensive gear in a hand towel, and then shoving it into my purse.

When I realized there were no camera bags on the market that could truly pass as a hot handbag, I set out to create one. It took a little over two years, and if I’m honest, the process was grueling. I could go on forever with stories about the many times it all seemed impossible. But I really believed in what I was doing. I knew I was creating a product that women photographers needed. So when I got to the road blocks (after a few tantrums), I just moved as much as I could in that moment. Because even an inch gets you that much closer to your goal. And after a while, the inches add up.

How did you name the bags?
I named them because the whole idea of creating stylish camera handbags seemed like an “aha” moment (an epiphany). I had never seen it done before, but the idea in itself is relatively simple. I used the French spelling, mainly because I just thought it looked better in the logo, and wasn’t so literal.

I also really like the concept of “epiphanie” because it plays out in so many ways. It’s my goal to build this business on more than camera bags. But to also have it be a catalyst for people to find inspiration, as well as their own “epiphanies”.

How did you decide on the colors?
I’ve gotten this question a lot. Basically, I love color and I just selected what I would personally use. I don’t think there’s a color in the spectrum which can’t be paired with either turquoise or red. Then again, that’s me. :)

And we’ve been pretty overwhelmed with requests for a little black Lola. So, of course we’re listening, and she will make her debut sometime around the end of summer.

Will the new styles replace the old ones or will they be in addition to these 3?
The original styles will stay around/expanded on with different colors as long as they’re selling consistently.

Where is the farthest these bags have traveled? That you know of.
Hmm.. Singapore? Australia :) ? I’m not sure. But it’s definitely been a dream come true to watch them fly out the door, and all over the world.

When will the new styles be coming out, and how many new styles are there?
We are hoping for the end of summer/ beginning of fall. I’m not sure about details right now because we’re still going back and forth with the sample process and a lot can change. But we’re always eager to hear ideas and (constructive) feedback. We read every single suggestion that is sent in, and we’re working really hard to make more products that are as functional as they are fashionable.

What do you want people to know about these bags and yourself?
That’s hard. I guess I’d want people to know that they are labor of love, and a testament that one foot in front of the other can eventually make magical things happen. I’d also want our customers to know that we’re truly grateful for them.

Next post on Beyond Snapshots… Instructions on how to win your own Red Lola Epiphanie Camera Bag here!

You can find Epiphanie bags at their website, blog, facebook and twitter

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We are working with Melissa to take this show on the road. Since this workshop is for you, first question… Where you would like to join us?

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A few selects from another joint session, this time an editorial shoot for LMNOP. Featuring the owners of Life in Style, the gorgeous Cau-Cecile family.

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Spotted. is our ongoing section where we feature different photographs from Beyond Snapshots readers and tell you why we love the images.  While criticism has a valid place in teaching, we want to show you what works rather than what doesn’t.  Two images caught our eye recently in the Beyond Snapshots flickr group.  We would like to share them and some thoughts with you below:

While similar in that both of these shots use window for back light and a faceless subject for dramatic portraits, they set quite different moods with their small differences.
The situations behind the making of these images were as different as their resulting moods.

First is this shot by Sheila Lachney

The choice of black and white really makes this photograph timeless.
The light as a gradient from bright to dark draws the eye down to the subject.
The boy is so small (well placed in the bottom 3rd of the photograph) and his body language suggests some interest in what is out the window.
The choice to leave the handle of the door in the frame is a nice touch and leaves me wondering why the boy is not going out and merely watching from inside.  It also adds scale.
Small details like the corners pointing back into the frame keep the focus on the boy.
Repeating lines with the fence, shadows, drapes and door frame are well isolated in black and white and make the organic shape of the boy stand out.

Simple, gorgeous and haunting.

Canon Rebel XT with a 28 mm lens.

ISO 400
f/2.8
1/160 sec.

I had sent my son, Elliot,  to time out and he fussed for a
short time then was all the sudden very quiet.  I came in
from the kitchen and saw him behind the curtain, playing
with something on the floor.  I tip toed to my camera and
snapped this one real quick.  He never knew I even took it. (:

Now this shot by Charlie Jones

The spots of color in the softly shaped paper hearts is a bright juxtaposition to the cold and stark branches out the window.
The choice of cool tones in processing reflects the cold winter weather yet with a warm glow by her feet to keep the image itself from feeling cold.
The very straight line leads the eye down through the hearts to the feet.
TTV texture over top adds some visual interest and goes well with the surreal nature of the shot.
The little details of the propped up feet, curled toes and chipped nail polish tells the viewer a lot about the subject without ever seeing a face.

Bright, quiet and wintery.

Canon Digital Rebel XTi with
the 18-55mm kit lens.  Really really basic equipment.  I
overexposed some because I wanted to see her feet rather
than just a silhouette of them.
It was snowing these big huge feather snow flakes (in
February, hence the Valentine’s paper hearts) and Chloe
layed down on a pillow in front of the window to watch.  I
was going to take some shots of the snow but ended up beside
her on the floor.  She puts her feet on everything so of
course she stuck them up on the window.
I wanted it to really look like winter so the tones are
cool.  I think the use of the ttv layer makes it feel small
and intimate…just like the moment felt.

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We are going to start showcasing some of our joint sessions on this blog. First up is this sweet newborn, what a strong little guy he was at only 3 weeks!

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Back in October we were a bit overwhelmed and asked the internet if it knew of anyone who would be interested in assisting us.  Linda was the first to respond.

We got back to work convinced we could do it all ourselves and did not really want to burden someone with our crazy.

Lind emailed to check on us.

We assured her that we were JUST fine and would be in touch.

February came around and we had a book deal, a full online class, plans for our first in person workshops, a blog to maintain, shoots together, magazine articles and there was suddenly not enough coffee in the world to make it doable on our own.

Certain that Linda must have found someone else, we twittered again…we meant it this time.

We had so many wonderful people contact us, but one name popped up again right away.

Linda!  We warned her that we were on the perfectionist side of controlling.  We warned her that the twins were part of the daily deal.  We warned her.

She showed up with cake (cake!) and purpose and got us in line.  We now have a sorted inbox, the class is coming together even better than before, Kieran is in love with her and this is just the beginning.

Welcome to the Beyond Snapshots team, Linda.

Check out her fantastic food blog.  I am now warning you, you will gain weight just by looking at her delicious photos of the things she makes.

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is finally officially underway.  We have been working hard on this dream for some time now and today we can finally spill the beans.

We are excited and proud to announce our news that we have signed a book publishing deal with Random House / Amphoto!

With a focus that extends past just the time spent raising kids, Beyond Snapshots the book will teach people in all stages of life how to take their fancy cameras off auto and shoot life like the pros.

There are so many wonderful things in store for the blog now that this book is underway.  We will continue to bring you all the tips and features as we have been doing…there is just going to be even more to offer!  Make sure that you sign up for our mailing list and check back here for updates and casting calls…

Thank you all for being part of this journey, we expect it to be a lot of fun.

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With the birth of a new baby often comes a new camera or a sudden spark in the interest in taking great photos of kids.  The birth of a new baby also brings hormones and a lot of stress.  The sheer exhaustion of it all can suck the energy from that new photography spark and certainly makes the thought of reading your camera manual about as appealing as, well, reading a camera manual.

That is why many of you find yourselves reading this blog.

It is a great time to hire a professional photographer that specializes in newborns.  Newborn photographers are a rare and patient breed.

Despite being in the middle of new parent torpor, you deserve to also be able to take beautiful photos of your own baby in your own home.  They are only little babies for such a short time.

Here are a few of our tips:

Take a lot of photographs.  Daily.  They grow overnight and one morning you will walk into their room and find that they are almost a different child.

Make the most of your baby being stationary…the only time your child will stay where you want them to stay.*
*make sure they are ALWAYS safe, don’t put them somewhere they could fall because if they are anything like Clover, they will fall just to scare the crap out of you.

That said, create a window light studio…make a cozy spot for them in front of a window by moving a bed or bassinet right up to the light source.

While little babies are rarely easy to photograph, it does help your chances of getting their cooperation when they have full tummies and clean diapers.

Use special ‘newborn’ things in the photos, heirloom blankets, knitted hats, gifted toys, favorite binkies.  All things they will soon grow out of (unless they are one of Rachel’s children who will apparently be going to college with their transitional objects) and will bring back memories.

Get close and show all the details.  Tiny fingernails, beautiful lips, the lashes…

Keep scale in mind.  Step back and show just how tiny they are in the world.

Also, don’t forget to celebrate the days after those first few weeks.  They may not sleep through the sessions anymore, but their personalities begin to emerge and they really connect with their eyes.

And then, despite all your planning, chances are things will go horribly wrong.  And it will be awesome.  You will end up with something better than you could have imagined.

Embrace the chaos…

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If you follow Rachel’s blog, you may have seen that she is looking for a good wide prime lens and finding the choice a bit difficult.  There is a lot to consider (price, brand, maximum aperture, etc…) when choosing a lens, so we thought we would touch on one of the most important aspects, focal length, as it does greatly affect the look of your shot.

With a DSLR, you have a choice of lenses. Primes or zooms; There are some pretty great advantages to both. Good primes are amazingly sharp and crisp, and generally have higher maximum apertures, allowing for low light shooting and creamy smooth depth of focus (that background blur) whereas zooms, while usually giving up a bit of the sharpness, allow you to get a variety of different looks with one lens.

The range is:

fish-eye (10mm – 16mm)
wide (20mm – 35mm)
normal (50mm – 60mm)
portrait (85mm – 105mm)
telephoto (120mm – 210mm)
long telephoto (anything from 250mm on up)

Although terribly unflattering to adult (and even baby) faces, wide angles give a degree of distortion, which can be a lot of fun when used well.

In the below examples, the top two shots are taken with the 24mm end of a Canon EF 24-70mm f/2.8L zoom lens. The left one is taken from a bit further back, and the right one is taken by stepping forward and shooting from a slightly lower angle, making for a more interesting composition, and also putting the distortion into greater effect.

The bottom pair are shot with the Nikon 28-105mm 3.5-4.5 D. Where the top two were taken at the same focal length, by moving around to get a different look (as you would with a prime), the bottom pair are different in that they take advantage of the zoom capabilities. They were taken one after the other, from the same position, first using 105mm, then switching directly afterwards to 28mm, the widest end of the range.

Rachel tends to shoot with a variety of prime lenses as she tends to plan her photographs with certain looks in mind.  The zoom she used for these images is not considered a pro lens and is not one she uses often.  Peta shoots the majority of her work with the one zoom lens that was used above.  She likes the flexibility. Both cameras are full frame (FX) sensors, digital sensors (DX) change the stated focal legnth of the lens, unless that lens is specifically made for the DX sensor, in which case they wont work on FX sensors. See?… so much to think about!

Have you found a focal length that fits your style?  Or do you change it up?  Tell us in the comments below as it just may help another person make their choice.

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Our first Beyond Snapshots online workshop. The workshop is now sold out. Check back for more dates!

We are so excited for this opportunity to team up and teach in a more intimate online classroom. Don’t worry, the blog is not going anywhere. In fact, it will continue to grow!

Interested in the class?

Things needed: Your DSLR with at least one lens (any brand), an editing program (Adobe Photoshop Elements or even better, Photoshop full version), a computer to do it all on.

Who this class is for: Beginning photographers who want to learn how to get the most out of that fancy camera and see what actually goes into making great photographs.

What we will cover: We are starting from the beginning…that is why this class is for beginners.  After we get you understanding the functions of the camera and properties of light we will go through composition, posing, inspiration, style and other elements of portrait photography.  From there we take you through organizing and processing your files.  We will be posting assignments to inspire you and even sharing behind the scenes videos.  Our final focus will be on printing, sharing and blogging those gorgeous photos of yours.  There is just so much that will be covered that it can’t all fit here…that is why we are running the class!

How we are going to teach: We have a great new virtual classroom for this workshop.  You go through the lessons as they are released weekly and turn your assignments in online.  While these are not graded assignments, we will be giving each member individual feedback.  This is your chance for personal photo mentoring by Rachel Devine and Peta Mazey in the comfort of your own home!  Don’t worry, you don’t need to change out of your jammies, it is all online, but we do answer your questions and help you work through your trouble spots.

The first workshop is scheduled for 5 April – 24 May (7 weeks)

The workshop cost is $500 and has a limited enrollment so that each person gets personal attention from both of us.

To secure your spot in the class go to the registration website by clicking here

This workshop won’t be covering any business information or client relations.

Coming soon - Details on portfolio reviews and private mentoring with Rachel and Peta

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